Back in their '60s public school days, the founding members of Genesis fancied themselves as pop songwriters — aiming to operate in the shadows, penning hits for others to sing. They wound up ...

Genesisのアルバム『Invisible Touch』（1986年）は、バンド史上最大の商業的成功を収めた作品であり、フィル・コリンズの多面的な才能が結実した金字塔です。技巧派ドラマー、プログレッシブ・ロックの革新者、そして世界的ポップスターという三つの顔を ...

"It's a bit sad that [people] say, 'This is the old Genesis, which I like' or 'the new Genesis,'" Mike Rutherford mused in 1986, while promoting the band's divisive LP from that year, Invisible Touch.

イングランド、サリー州、ゴドルミングのロック・バンド。 初期のプログレからポップなサウンドへ変化。 1969年アルバムデビュー。 2010年「ロックの殿堂」入り。 70年代はその後ソロでも活躍するピーター・ガブリエルも在籍。 プログレに加え演劇の要素 ...

It's hard to overstate how uncool it was to be a Genesis fan in 1986. They’d always been uncool, of course, but in the past, most of their non-coolness had come from their associations with prog-rock, ...

In The Number Ones, I'm reviewing every single #1 single in the history of the Billboard Hot 100, starting with the chart's beginning, in 1958, and working my way up into the present. That's not even ...

‘We knew each other well and weren’t afraid to make lousy noises. There was a good percentage of crap’ Invisible Touch is my favourite Genesis song and it came more or less out of nowhere. We would ...